Created bizarre, beautiful images

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The Smithsonian Institution's Arthur M. Sackler Gallery pulls out all the stops with its stunning "Hokusai" exhibit. Famed for breaking traditional Japanese art boundaries, Katsushika Hokusai (1760-1849) revolutionized modern Western art by introducing flat patterning, the rendering of subjects from above and the cutting off of compositions at their edges.

We see this in the show's first image, the artist's demonic "Thunder God" (1849) -- a deity who carries sticks for drum beating and commandeers lightning -- an image that literally "jumps" from the silk-and-colors vertical scroll.

Other biggies follow, including the iconic "Great Wave" (from "Thirty-Six Views of Mount Fuji: Beneath the Wave Off the Coast of Kanagawa") that influenced art from French impressionists Claude Monet and Edouard Manet to Western modernism -- and even decorations on today's blue jeans.

There's also the breathtakingly perpendicular "Kirifuri Waterfall at Mount Kurokami in Shimotsuke Province" (from a series of works titled "Traveling Around the Waterfalls in the Provinces") that surrealistically morphs from torrential falling water into a ghostly woman and back again.

Gentle long-stemmed "Poppies" bow in the wind nearby, much as "The Great Wave" curves over hapless fishermen's boats beneath.

These three are 1830s color prints made from woodblocks showing Hokusai's preference for both the bizarre and the beautiful. Nearby, the museum mounted the artist's lovingly painted "Boy Viewing Mount Fuji" -- personally purchased by Freer Gallery of Art founder Charles Lang Freer in 1898 -- showing a young peasant flutist seemingly entertaining the distant mountain.

Along with several prints from Hokusai's extraordinarily successful "Thirty-six Views of Mount Fuji" series, these opening paintings and prints alone make the show worth visiting -- but the exhibition is just getting started.

Hokusai, who called himself "the old man crazy about painting" in his later years, worked as if demonically driven during his 70-year-long, often peripatetic career, according to the exhibit catalog. He longed to work until his 100th year, but death claimed him at 89.

His obsession for painting and drawing beautiful women, humble fishermen, peasant farmers, minute bugs, leaping fish, piles of crabs, vengeful ghosts, seven-headed dragons, the fiery exorcist called "Shoki" and the Japanese Buddhist teacher Nichiren is nowhere more evident than in this landmark show.

To make it happen, the Sackler, the adjacent Freer Gallery of Art and the media company Nihon Keizai Shimbun Inc., in cooperation with the Tokyo National Museum, gathered 79 seldom-seen folding screens, scrolls and drawings as well as the better-known woodblock prints and printed books for a once-in-a-lifetime viewing experience.