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Home » Culture

Tuesday, August 12, 2008

Computer imaging detecting art forgeries

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  • At left is a known forgery of van Gogh's "The Sea at Saintes-Maries." At right is the computer image of the brush strokes. (Associated Press)

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By Genaro C. Armas

STATE COLLEGE, Pa. (AP) — Vincent van Gogh's master pieces have inspired both young artists and prospective forgers seeking to re-create his vivid landscapes and portraits.

Those forgeries are inspirations, too. Yet in an ironic twist, scientists are turning to modern technology to give art experts better tools to answer an expensive and age-old question: Is it an original van Gogh painting or a fake?

A unique collaboration of artists and scientists forged by Cornell University professor C. Richard Johnson uses computer screens as canvases. Though the project focuses on van Gogh's classics, the outcome could have an impact throughout the art world.

"It's something we would all like to be using a lot more, but it's really just starting," said Ella Hendricks, head of conservation at the Van Gogh Museum in Amsterdam, in a recent telephone interview.

Talk of computer programs and algorithms typically isn't the forte of artists more comfortable speaking about brush strokes and light. Mr. Johnson sought to bridge the divide. His background afforded him credibility in both fields: He's a Cornell electrical engineering professor who has a minor in art history.

Mr. Johnson got curious during a sabbatical three years ago about projects that might finally marry his two interests. He found other researchers around the world working on similar projects, then approached the Van Gogh Museum with a unique proposal.

Would the museum allow the researchers access to their digitized collection so the scientists could experiment with ways to use technology to help art historians, conservators and connoisseurs?

"I felt like maybe I could talk to both sides," Mr. Johnson says. "Certainly, in a museum, you'd like to be on the forefront of new activity, and computer imaging would be at the forefront of what to do."

The museum agreed. Mrs. Hendricks and other experts there had just recently started scanning its work and dabbling in digital techniques, which in recent years has gained in popularity across the industry.

A May 2007 workshop on computer image processing at the Amsterdam museum yielded promising results, according to Mr. Johnson, with teams from Penn State, Princeton University and Maastricht University in the Netherlands each taking different approaches.

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