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Home » Culture

Wednesday, May 27, 2009

Crafty comeback with indie edge

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  • Jewerly is displayed for sale at the Hyattsville festival. Painter Denise Marie (left) works at her booth when not speaking with potential buyers and browsers.
  • Jewelry is displayed for sale at the Hyattsville festival. Painter Denise Marie (left) works at her booth when not speaking with potential buyers and browsers.
  • PHOTOGRAPHS BY JOSEPH SILVERMAN/ THE WASHINGTON TIMES 
Paul Richards of Profusion of Glass shows his wares at the second annual Hyattsville Arts Festival, which drew 35 exhibiting artists to show and sell works including jewelry, paintings, handmade paper, quilts and dolls.
  • JOSEPH SILVERMAN/ THE WASHINGTON TIMES
Stephney Wallace (left) shows jewelry to Dotsie Row at the Hyattsville Arts Festival earlier this month. An indie craft movement is growing, with a touch of nonconformism and anti-commericalism aided by online resources.

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By Karen Goldberg Goff

By day, Ms. Burns, who lives in Frederick, Md., is a social worker with Frederick County Foster Care and Adoption Services. Nights and weekends, she is a crafter and one of the forces behind the D.C. Craft Mafia (www.dccraft mafia.blogspot.com), the local outpost of a nationwide network of Craft Mafia groups.

"Our goal is to bring craftiness to the capital masses through workshops, craft shows and community outreach," its mission statement says.

"I basically got into crafting because my full-time job is so demanding and grueling," Ms. Burns says. "There is not a lot of completion in social work. There are ongoing problems. I wanted a finished product, so I started making jewelry a few years ago."

More crafting led to meeting more crafters. Now Ms. Burns is a regular at D.C. Craft Mafia meet-ups, including Craft and Cocktails.

"It is a hoot to be at a bar with your knitting needles," she says. "We have a common thread. I also know a lot of people from the fairs and shows. We have a lot of people exchanging materials."

The indie craft movement recently was the subject of a book and film, "Handmade Nation: The Rise of DIY Art, Craft and Design." Filmmaker Faythe Levine followed 24 crafters in 15 American cities to look at the reasons for the "marriage between historical technique, punk culture and the DIY ethos."

A screening and book signing for "Handmade Nation" will take place July 16 at the Smithsonian's Renwick Gallery. The movie will be released on DVD this summer.

"I am a crafter," Ms. Levine says. "I am really interested in the DIY community using creativity to express themselves and other people embracing the DIY ethic."

While Ms. Levine found that each crafter has his or her own story, a few themes run through every tote bag made of recycled T-shirts, every hand-stitched belt and every Marimekko-inspired screen print. In addition to the anti-mass-produced ethos and the social aspect, crafting has an economic and environmental message that touches a nerve.

"Conscious consumers are staying away from mass-market items," Ms. Levine says. "DIY is a political act; you are making a decision to not be a part of consumerist society. Since many crafters use recycled materials, it is an environmental issue, too."

Other crafters are geared toward a political agenda, Ms. Levine says, citing the book "Knitting for Good: A Guide to Creating Personal, Social and Political Change Stitch by Stitch" by Betsy Greer. The book, published in 2004, outlines how to use knitting and creativity to improve your life, the lives of others in your community and the world at large.

It is also the touchstone of the DIY movement. They aren't just socks - they're the start of a personal and a social revolution. One can make things to adorn themselves, teach others a skill or clothe those in need.

"There are endless examples of people who are not satisfied with their lives and who followed their creative path," Ms. Levine says. "Sometimes they are successful; sometimes they go back to their day job."

Either way, they have learned something from beaded bracelets.

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